...very slowly, I am working through the trees that make up this horizon line.
From tightly cropped views of the earth at your feet, to sweeping 360º vistas of the horizon line, J.B. Boyd’s oil paintings are meticulously rendered modern updates of the American Landscape tradition. Being a professional vagabond in search of place, this blog will allow you to travel with him and peek into the studio to see the paintings in process.
Friday, March 24, 2017
Thursday, February 16, 2017
Wednesday, February 1, 2017
Although I Usually Paint...
...from my own photo references, sometimes I do not. This is one of those times, as a close friend of mine has a feed on Instagram (@whisperingpinestoo) of his sunset views. He then emails me the larger files, and I've fallen in love with a few. This may be the first of many of sunsets over Barnegat Bay in the state of my birth...
Thursday, January 26, 2017
Sometimes...
...I paint the first layer so well I want to cut corners and leave it be. But in this case, the results were so far from what I had in my mind, it will be a pleasure to paint the second layer!
Thursday, January 12, 2017
The First Layer Is Complete...
...and from this distance, it is looking pretty good! But that is the just the appeasing orange and blues, so after a while of contemplating where I want it to go, I will sand it smooth and and start on the detail in the second layer.
Wednesday, January 11, 2017
The Opposite Approach...
...of how I painted the little square is the method I am using on my current large painting. Instead of working out the structure by painting every individual blade of grass, I deliberately blurred my reference photo to isolate the clumps of grass and water. By limiting the amount of information I have to work with I limit my OCD, and by my painfully slow standards am cruising through this first layer, yet still am able to define the positive and negative spaces for the next layer of paint.
Saturday, January 7, 2017
The Second Of...
...the four square commission paintings is an inlet off the Chesapeake Bay draped in fog. This progression photo shows the foreground being painted. Over two paintings sessions (about 8 hours each) I worked with little brushes, painting in the negative (dark) space. Then with a razor blade I'd scrape away where the bigger/lighter blades of grass are, then paint them in. I've been trying to get away from being so specific in the first layer of my paintings, but on a small painting like this, I can afford to spend two days getting the complicated structures right so I can make it more lifelike on the next layer.
Monday, January 2, 2017
The First Of...
...a commission of four 6x6" paintings, this view from Inis Mor of the Aran Islands in Ireland looks out to the North Atlantic Ocean. I love the upwelling of ice blue water in the wave. It makes me long for clear water...
Saturday, December 31, 2016
To Finish Up 2016...
...and to begin 2017, my studio is traveling with me in Athens, GA. Wherever this New Years finds you, I hope it filled with love and laughter, knowing that God has great things in store for you 2017!
Friday, December 30, 2016
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