Thursday, April 7, 2016

The One Question...

...almost everybody asks when they see my studio set up is, "What are all the nickels for?" If I am in a joking mood, I say that they are for my otherwise neglected 401k. But in reality, they are an integral part of my process. To get the clarity of color that realism demands, I assign a brush to each color of mixed paint. I break down colors into spectrums, ranges, or families you might say, mixing them up before I paint instead of continually mixing them on the pallet. Once I have a color range established (mixed), I assign a brush to each variant of that color. Sometimes these variants of color are very small, so when I paint on the painting, they get mixed with another color, but keep a supply of original color in their hosel (or inner core of brush strands). So I wipe them off with a rag to get rid of the mixed paint on the outside, and then return them to their assigned color. This can be problematic though when colors next to each other are so similar. So I have pieces of tape on the handle of each brush. They correspond with the tape on the nickels.


This means that a brush with tan masking tape is at least four steps away from the next tan masking taped brush, so hopefully the colors have changed enough in those steps to delineate which brush belongs to which color. Often I end up with many brushes in my non painting hand, so this is a quick way to get them back to their proper color. It is simply a way to avoid cleaning the individual brush with thinner after every few strokes, and keeps the studio free of OMS fumes. But the most important part is that by wiping the brush off after I use it and return it to its defined color, when I go to use it next, I know EXACTLY what color is going to come out of it when I add it to the painting, and free of thinner, how the paint will behave. It keeps the colors sharp when I want them to be and gives me confidence in each stroke to know how the color will mix with what is already on the painting. It is a little tedious, and a lot OCD, but it works, so I use it. 

I hope that answers a question you may never have had, and thanks for reading this blog! -jb. 

Wednesday, April 6, 2016

Twenty Four Colors...


...for twenty four brushes equals a whole mess of painted water lilies.


Tuesday, March 1, 2016

Finishing Off The First Layer...

...was a bit like completing a jigsaw puzzle. 


Painting in the negative spaces first helped me to find the lilies shapes, and with that information I could carve out the rest of the painting. 


Now I have had the painting sitting on the top of my easel for over a month, so I can decide where this painting wants to go in the next layer.

Wednesday, December 16, 2015

Every time...

...I finish a painting, I think, "this could be my best painting yet." I think on this one, it could be true. It measures 13x24", is titled "I've Been to Memphis" and is my 118th landscape painting.

Thursday, November 19, 2015

Thursday, November 12, 2015

The Oval Painting...

...is taking shape as the tree line, brush line, and horizon line have all been painted. Now it is time to watch the grass grow. 


Friday, November 6, 2015

Every Once In A While...

...advertisements are right. I really want a new iPhone for the new camera. Here is a three part progress view of the same painting. The top image is the preliminary sketch, the middle image the painting with the first layer complete, while the bottom shows the second layer of paint. Nothing dumbs down color like the combination of a scratched up lens, old sensor, and internet color, but you can take my word that it really looks best in the final layer.

Monday, September 28, 2015

Between Layers of Paint...

...I get to make color adjustments based off the previous layer. Here you can see the colors I used in the first layer on the left, while the new sky colors are on the right:
Mainly, I lightened the highlights and mid-tones, while deepening the sunset hues. I am very happy with the finished sky!

Wednesday, September 23, 2015

Wednesday, September 16, 2015

My Favorite Step In Painting...

...is sanding down the first layer of paint to commit to the pursuit of perfection in the second layer of paint. It doesn't always, but maybe it will happen with this one.