Large paintings are like marathons. Or, like the philosophy of Dory from Finding Nemo. The point is, you just have to keep painting.
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These photos were taken over a period of one month.
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The working time between these two images is just over 40 hours.
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Aside from not getting frustrated at the grinding pace, the main challenge is keeping the foreground tree lines clean.
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They are defined by the negative space of the green, and after each small section, must be scraped back into existence using a razor (especially the smaller branches).
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This way, there are channels for the trees in the background paint which in the end will create a flat painting, contradictorily making it appear more three dimensional.
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But the nice part in this long stretch of painting green is finding the areas that I missed (either aspen tree or leaves) and filling them in, either with yellow or with the absence of paint.
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And yes, filling in the last of the green was a wicked exciting day!
-jb.